Total Eclipse

Total Eclipse was a large-scale theatre production in London that combined a live band, full orchestra and a number of guest vocalists, creating a technically demanding monitor environment.

I joined the production as the freelance Monitor Engineer, responsible for programming, operating and maintaining all monitor mixes throughout the run.

The production utilised a Yamaha Rivage PM5 as the monitor console, handling over 120 input channels and approximately 60 independent monitor mixes.

The monitoring system combined d&b audiotechnik M2 stage monitors with Shure PSM1000 wireless in-ear monitoring systems, allowing every performer to receive a dedicated mix tailored to their role within the production.

Managing a production of this scale required careful preparation, efficient workflow and the ability to make quick adjustments while maintaining complete consistency from one performance to the next.

With a live band, orchestra and guest singers all sharing the stage, every performance required clear communication and reliable monitoring.

Each performer had different monitoring requirements, whether using wedges, in-ear systems or a combination of both. The objective was always to provide a stable, accurate mix that allowed the musicians and vocalists to focus entirely on the performance.

Unlike touring concerts, theatre productions demand absolute consistency. Every cue, entrance and musical transition must be repeated precisely at every performance.

Working closely with the musical director, stage management and the wider production team ensured smooth operation throughout the run while delivering dependable monitor mixes for every performer.

Total Eclipse was an enjoyable and technically rewarding project that combined the scale of a concert production with the precision expected in professional theatre.